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Day 1166 Livia I

The days all about my son Bens Dog Livia. She went over the rainbow bridge Friday. I drew her a lot over the holidays because I could tell she was not doing well. She had gotten very skinny lost her fur.

She’s developed cushings disease recently but the vet said she has a tumor.

One thing about a sketchbook it lets you remember the good times.

movieandsongsmela.wordpress.com

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  • Latest movies for download
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Science & Food
A diverse team of science students and scholars at UCLA writes on the intersection of biology, chemistry, and engineering with the food we eat.

Entertain

Write a new post in response to today’s one-word prompt. Not sure how to participate? Here are the steps to get started.

Post about Entertain

movieandsongsmela.wordpress.com

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  • 24 Of The Most Beautiful Quotes About Nature
    Celebrate Earth Day with these 24 wonderful quotes. Posted on April 22, 2015, at 11:00 a.m. Jarry Lee BuzzFeed Staff Jarry Lee / BuzzFeed / Thinkstock Share 2. “I felt my lungs inflate with the onrush of scenery—air, mountains, trees, people. I thought, ‘This is what it is to be happy.’” —Sylvia Plath, The Bell Jar 3. “Not just beautiful, though—the stars are like the trees in the forest, alive and breathing. And they’re watching me.” —Haruki Murakami, Kafka on the Shore 4. “‘Is the spring coming?’ he said. ‘What is it like?’ … ‘It is the sun shining on the rain and the rain falling on the sunshine, and things pushing up and working under the earth.’” —Frances Hodgson Burnett, The Secret Garden Jarry Lee / BuzzFeed / Thinkstock Share 6. “If we surrendered to earth’s intelligence we could rise up rooted, like trees.” —Rainer Maria Rilke, Rilke’s Book of Hours: Love Poems to God 7. “The glitter in the sky looks as if I could scoop it all up in my hands and let the stars swirl and touch one another, but they are so distant, so very far apart, that they cannot feel the warmth of each other, even though they are made of burning.” —Beth Revis, Across the Universe 8. “I wonder if the snow loves the trees and fields, that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says ‘Go to sleep, darlings, till the summer comes again.’” ―Lewis Carroll, Alice’s Adventures in Wonderland & Through the Looking-Glass Jarry Lee / BuzzFeed / Thinkstock Share 10. “This grand show is eternal. It is always sunrise somewhere; the dew is never all dried at once; a shower is forever falling; vapor is ever rising. Eternal sunrise, eternal sunset, eternal dawn and gloaming, on sea and continents and islands, each in its turn, as the round earth rolls.” —John Muir, John of the Mountains: The Unpublished Journals of John Muir 11. “Snow was falling, so much like stars filling the dark trees that one could easily imagine its reason for being was nothing more than prettiness.” —Mary Oliver, “Snowy Night” 12. “Nature’s first green is gold, Her hardest hue to hold. Her early leaf’s a flower; But only so an hour. Then leaf subsides to leaf. So Eden sank to grief, So dawn goes down to day. Nothing gold can stay.” ―Robert Frost, “Nothing Gold Can Stay” Jarry Lee / BuzzFeed / Thinkstock Share 14. “Quiet stars and the still of expectation. The eucalyptus branches heavy with evening dew, their feet shuffling woodchips, braiding eights in the silver grass, and edging hillocks from the first mulch of fall.” —Will Chancellor, A Brave Man Seven Storeys Tall 15. “The sea is emotion incarnate. It loves, hates, and weeps. It defies all attempts to capture it with words and rejects all shackles. No matter what you say about it, there is always that which you can’t.” —Christopher Paolini, Eragon 16. “But especially he loved to run in the dim twilight of the summer midnights, listening to the subdued and sleepy murmurs of the forest, reading signs and sounds as a man may read a book, and seeking for the mysterious something that called—called, waking or sleeping, at all times, for him to come.” —Jack London, The Call of the Wild Jarry Lee / BuzzFeed / Thinkstock Share 18. “‘To sit in the shade on a fine day, and look upon verdure, is the most perfect refreshment.’” —Jane Austen, Mansfield Park 19. “Those who contemplate the beauty of the earth find reserves of strength that will endure as long as life lasts. … There is something infinitely healing in the repeated refrains of nature — the assurance that dawn comes after night, and spring after winter.” —Rachel Carson, Silent Spring 20. “These people have learned not from books, but in the fields, in the wood, on the river bank. Their teachers have been the birds themselves, when they sang to them, the sun when it left a glow of crimson behind it at setting, the very trees, and wild herbs.” ―Anton Chekhov, “A Day in the Country”
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A Hundred Falling Veils

2 posts

  • Just Before It Melts

    Before the sun

    has reached

    the meadow

  • One Bite of Finland

    eating dark rye bread

    the taste of joy

    thirty years ago

Day 1165 It’s Saturday

Katie 19x 22″

And I am home so I am with friends painting a life model most Saturday mornings.

This one is done except the background which could use some calming down. Got a little wild but I was experimenting.

MOMUS: A Return to Art Criticism
MOMUS is an online art publication where you’ll find serious and engaging writing on the international art scene, from reviews to longform essays.

Static

Write a new post in response to today’s one-word prompt. Not sure how to participate? Here are the steps to get started.

Post about Static

Margaret McCarthy Hunt Art
On her blog and online portfolio, Margaret posts illustrations, sketches, drawings, and other forms almost daily. She works from her studio on the Savannah River and teaches across the Southeast US.

“Seen Anything Good?” The Burden of Biennial Excess

How much art can the human mind realistically absorb from a mega-exhibition? I’m not talking about superstar retrospectives or major surveys – mainstays of the Mets, MoMAs, and Tates, of Academies (royal or otherwise), and galleries (national or state) – which are shows that you can slowly drink in over a satisfying three- or four-hour visit.

I’m thinking instead of the bannered biennials, triennials, quinquennials, decennials, and the outsized, multi-institutional exhibitions that have evolved in their wake. Art carnivals so sprawling they induce panic; cultural omnium gatherums so capacious that the metaphorical elephant in the room becomes the fact that an actual elephant in the room would look neither out of place nor poorly quartered.

A litmus test for whether the exhibition you’re wandering through is too large? The demeanor with which friends and colleagues approach one another and ask whether they’ve “Seen anything good?” If they hang on each reply with starved attentiveness, assume they’re desperate for a navigational tool by which to chart a route, panicking that they’ve overlooked a defining cultural way-marker.

An Ode to Sichuan’s Singular Sensation

We tend to think about regional cuisines in terms of flavor, texture, or signature preparation; sometimes it’s a specific combination of ingredients — think Basque piperade, or Old Bay Seasoning in Maryland. In Sichuan, it’s a sensation: the numbing, tickling heat of the region’s beloved peppercorn, zanthoxylum. (Calling it a peppercorn is actually an entrenched misnomer: it’s closer to the citrus family than to hot chilis.)

At Roads and Kingdoms, Taylor Holliday, a purveyor of Sichuan ingredients, takes readers along the peppercorn’s path from rural farms and Chengdu markets to the USDA bureaucracy that has made it extremely difficult to bring to the States. At its core, though, this is an ode to a spice that etches itself onto your memory within seconds of your first taste.

Even more than other spices, endowed by evolution with defensive odors and tastes, Sichuan pepper seems designed not to be eaten. Once you get past the thorns, the taste of a fresh or freshly dried berry leaves your mouth, tongue, and lips buzzing and numb for several minutes. It is literally electric: The active ingredient, sanshool, causes a vibration on the lips measured at 50 hertz, the same frequency as the power grid in most parts of the world, according to a 2013 study at University College London.

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